Polish born, German based woodcut printer extraordinaire...Roman Klonek.
Roman's FLICKr
Roman's Website
Showing posts with label Print. Show all posts
Showing posts with label Print. Show all posts
13 September 2011
Roman Klonek
Labels:
Parking Block Publishing,
Print,
Roman Klonek,
Wood Cut
01 July 2011
20 January 2011
Damien Tran
Although I'm not entirely sure, I'm thinking that Damien is either from or near Germany (based on the fact that most of his shows seem to be in German gallery spaces). Geographic location doesn't matter much, because Damien Tran's body or work is bangin'!
Damien's website HERE
Damien's Flickr HERE


Damien's website HERE
Damien's Flickr HERE
12 November 2010
Linotype: The Film
"Linotype: The Film is a feature-length documentary film centered around the Linotype typecasting machine invented by Ottmar Mergenthaler. Called the "Eighth Wonder of the World" by Thomas Edison, the Linotype revolutionized printing and society, but very few people know about the inventor or his fascinating machine.
The Linotype completely transformed the communication of information similarly to how the internet is now changing it all again. Although these machines were revolutionary, technology began to supersede the Linotype and they were scrapped and melted-down by the thousands. Today, very few machines are still in existence.
The highly-skilled operators of the Linotype are in a battle against time. If their skills are not passed along to a new generation of operators, the machine will die completely. There is a small group of former operators that want to save the Linotype from the scrap yard but some see this as a fruitless endeavor to slow down progress..."
Slated for release in the early fall of 2011.
"Linotype: The Film" Teaser from Linotype: The Film on Vimeo.
The Linotype completely transformed the communication of information similarly to how the internet is now changing it all again. Although these machines were revolutionary, technology began to supersede the Linotype and they were scrapped and melted-down by the thousands. Today, very few machines are still in existence.
The highly-skilled operators of the Linotype are in a battle against time. If their skills are not passed along to a new generation of operators, the machine will die completely. There is a small group of former operators that want to save the Linotype from the scrap yard but some see this as a fruitless endeavor to slow down progress..."
Slated for release in the early fall of 2011.
"Linotype: The Film" Teaser from Linotype: The Film on Vimeo.
Labels:
Independent Film,
Indie Doc,
Linotype,
Print,
Typeface,
Typography
09 May 2010
I Got You by Mark Searcy
Mark Searcy hails from the Pacific Northwest and is a collage-ing MF!
I Got You
8.5" x 11" | Digital
www.thisdotcomtaken.com
www.flickr.com/photos/thisdotcomtaken
I Got You
8.5" x 11" | Digital
www.thisdotcomtaken.com
www.flickr.com/photos/thisdotcomtaken
Labels:
Collage,
Graphic Design,
Mark Searcy,
Print
12 May 2009
RUN, BLAGO, RUN by CRO aka RAY NOLAND

OK, OK, so I lifted the attached story from the Chicago Tribune online. The original author writes like both he and his readers hail from Mars or some other planet or suburb, far, far away. He suggests that the Blago stencil-graffiti has gotten to an almost viral stage...just because it's up in at least 6 reported spots in Chicago...EWWWW, scarey! The image I've included is from the corner of Hubbard and May Streets, Chicago.
The 'alleged' artist that has sprayed and pasted the 'Run, Blago, Run' is Chicago's very own CRO aka Ray Noland. He currently has a group show that ends later this month titled Officially Unofficial at the Chicago Tourism Center on Randolph Street. This show is a collection of Obama related artworks and prints that supported Obama, pre-election. Works by The Date Farmers, Ron English, Obey, Bask, Cody Hudson and many, many more artists can be seen. I highly recommend checking this gig out, while it lasts.
You can source more info direct from Ray's sites: GoTellMama.org and CRO.BigCartel.com.
A mysterious mural has turned up on a half-dozen concrete walls around the city in recent weeks. The black graffiti stencil shows former Gov. Rod Blagojevich wearing his familiar tracksuit, running through the street and glancing over his shoulder, as if he is being pursued. The image leaves it to the viewer to speculate about who is trailing Blago -- U.S. Atty. Patrick Fitzgerald, perhaps?
Reminiscent of the work of Banksy, the London street artist, and Shepard Fairey aka Obey, the creator of the Barack Obama Hope poster, the Blago stencil began appearing in early April. It has been spotted in a downtown alley behind the Macy's on State Street and on a viaduct at the corner of West 16th Street and South Union Avenue.
Like most street art, the creator leaves no signature. (The practice is illegal, after all.) But Pilsen artist Ray Noland aka CRO, 36, is currently selling a first-edition poster of the image titled "Run, Blago, Run!" for $75 on his Web site, cro.bigcartel.com. Noland -- who ran an unofficial Obama street art campaign last year -- declined to comment on how his Blago design ended up on the street and suggested that anyone could have appropriated his image. "I just make the graphics," he said.
However, Noland did hint that urbanities should keep their eyes open for more images, which he predicted "will probably continue to pop up around the city."
*original story lifted off the internet written by: cmastony@tribune.com
Labels:
Banksy,
BAST,
CRO,
FAILE,
Obey Giant,
Poster,
Print,
Ray Noland,
Shepard Fairey,
Silk Screen,
Stencil,
Street Art,
Wooster Collective
11 May 2009
CODY HUDSON aka STRUGGLE INC, CHICAGO

Cody Hudson better known to many as Struggle, Inc. has a new gig that opens on May 11th.
For Let’s Do Some Living After We Die, emergent artist Cody Hudson will create a new collage and sculpture installation. Hudson’s art work will explore feelings of euphoria and doom, community and solitude through the combination of found materials and media images, paintings, and drawing. The installation will change and grow in three intervals, May 11th, July 19th, and August 19th, during the six month exhibition period. Installed in the Foyer Project Space of the Art Center, this volatile mixture of optical information inspires visitors to consider the relationship between hopefulness and tragedy upon entering the building.
Hudson’s art work will explore feelings of euphoria and doom, community and solitude through the combination of found materials and media images, paintings, and drawing.
Cody Hudson is a Chicago-based artist and graphic designer who produces work under the name Struggle Inc. Known for the production of clean, multi-dimensional and geometric graphics, Hudson’s design aesthetic is part urban modernism, and part organic visual deconstruction. His drawings, installations, and paintings have been exhibited throughout the US, Europe and Japan including the Museum of Contemporary Art (Chicago), New Image Art (LA), Rocket Gallery (Tokyo), The Lazy Dog (Paris), & Bucket Rider Gallery (Chicago). In 2006 he was commissioned by the City of Chicago Public Art Program to create a permanent installation at the Sox/35th CTA station as part of the Arts in Transit Program. Hudson’s work has been featured in numerous magazines and publications including idN, Arkitip, Anthem and Juxtapoz. He is currently represented by Andrew Rafacz Gallery, Chicago.
This installation takes place in conjunction with the upcoming exhibition Signs of the Apocalypse/Rapture curated by Front Forty Press, offering a provocative look into the current trend of blurring the line between annihilation and bliss in contemporary art, thought, and sound, held in Galleries 1, 2, and 3 at the Art Center from July 19 until September 29, 2009.
Labels:
Art,
Chicago,
Design,
Documentary,
Graffiti,
Holga,
Lomo,
Lomography,
Museum,
Photography,
Polaroid Kidd,
Poster,
Print,
Silk Screen,
Stencil,
Street Art,
Typography,
Wheat Paste
26 April 2009
SWOON, THE POLAROID KIDD & CHRIS STAIN
An exhibition at galerie lj beaubourg, Paris 2007.
Soundtrack provided by Fedayi Pacha.
Click Here to see The Polaroid Kidd at the Needles and Pens Gallery in 2007, San Francisco. http://www.needles-pens.com/polaroidkidd.html
Click Here for additional work by Swoon as featured in the NY Times.
If you're down with seeing more of Chris Stain's stencil graffiti, then Click Here.
Soundtrack provided by Fedayi Pacha.
Click Here to see The Polaroid Kidd at the Needles and Pens Gallery in 2007, San Francisco. http://www.needles-pens.com/polaroidkidd.html
Click Here for additional work by Swoon as featured in the NY Times.
If you're down with seeing more of Chris Stain's stencil graffiti, then Click Here.
Labels:
Andy Warhol,
Art,
ART-FILM,
FILM,
Graffiti,
Holga,
Lomo,
Lomography,
Photography,
Print,
Silk Screen,
Stencil,
Street Art,
Typography,
Wheat Paste
22 April 2009
AIKO: JAPANESE BORN-BROOKLYN GRAFFITI ARTIST
As a founding member of the artist collective FAILE, formed in 1999, AIKO helped fuel the current wave of global contemporary street art with spontaneous wheatpastings and stenciling in numerous world capitals. The artist launched a solo career in 2006 with works on canvas that incorporate collage, stenciling, brushwork, spray paint, and serigraphy. This bricolage technique perfectly suits AIKO’s eclectic practice—a voracious mash-up of Japanese and American pop culture, including comics, children’s book illustrations, advertising, classic movie posters, and soft-core pornography.
AIKO draws inspiration from the urban street, Kawaii culture (“cute” in Japanese), and globalized depictions of female sexuality. While a Media Studies student at New School University in New York, she hid her art in plain sight by wheatpasting images throughout the city. It was then that she developed a signature synthesis of commercial graphics, sexual imagery, and the vocabularies of seduction and fantasy found in print, film, and electronic media. The implied decay of the graffiti-style works reads not only as autobiography but also as a subtle breakdown of surrounding structures. 'Welcome to the Planet of Lady A', for example, features a provocative soft-porn image silkscreened onto a window, all elements reclaimed from cultural and literal junk heaps.
Like Warhol in the ’70s, AIKO embraces silkscreen techniques as the ultimate (and seemingly timeless) signifier of the contemporary. 'Madam Butterfly' elegantly combines a reproduced newspaper image with collaged decorative motifs, masking and transforming the identity of the painting’s female subject. In the show’s title work, 'Love Monster', the artist layers nude nymphets holding spray paint with the recurring tags “King” and “Knights” to capture not only the relational aesthetics of the day but also contemporary culture’s relative ethics. Here and elsewhere, her visual language borrows from fairytales and pulp fiction—virgins and vixens—exploring themes of romance, morality, and religion. Yet AIKO’s energetic works eschew judgment in favor of something more generative, a pop-culture phoenix rising from the real and virtual ashes of the urban street.
AIKO (Nakagawa)’s debut solo exhibition, 'Shut Up & Look', took place at Brooklynite Gallery in 2008. Selected group exhibitions include: in 2008, 'Heart & Soul', Alphabeta, Queens, NY; 'Time Changes', Calm & Punk Gallery, Tokyo; 'PINK AIKO: Brick Ladies of NYC', Ad Hoc Art, Brooklyn; and in 2007, 'Heart Throb', Merry Karnowsky Gallery, Los Angeles; 'Bestial', Iguapop Gallery, Barcelona, and 'Eleven', Leonard Street Gallery, London.
She's showing from April 18-May 16.
Joshua Liner Gallery
548 West 28th Street
3rd Floor
New York, NY 10001
212.244.7415
http://joshualinergallery.com
AIKO draws inspiration from the urban street, Kawaii culture (“cute” in Japanese), and globalized depictions of female sexuality. While a Media Studies student at New School University in New York, she hid her art in plain sight by wheatpasting images throughout the city. It was then that she developed a signature synthesis of commercial graphics, sexual imagery, and the vocabularies of seduction and fantasy found in print, film, and electronic media. The implied decay of the graffiti-style works reads not only as autobiography but also as a subtle breakdown of surrounding structures. 'Welcome to the Planet of Lady A', for example, features a provocative soft-porn image silkscreened onto a window, all elements reclaimed from cultural and literal junk heaps.
Like Warhol in the ’70s, AIKO embraces silkscreen techniques as the ultimate (and seemingly timeless) signifier of the contemporary. 'Madam Butterfly' elegantly combines a reproduced newspaper image with collaged decorative motifs, masking and transforming the identity of the painting’s female subject. In the show’s title work, 'Love Monster', the artist layers nude nymphets holding spray paint with the recurring tags “King” and “Knights” to capture not only the relational aesthetics of the day but also contemporary culture’s relative ethics. Here and elsewhere, her visual language borrows from fairytales and pulp fiction—virgins and vixens—exploring themes of romance, morality, and religion. Yet AIKO’s energetic works eschew judgment in favor of something more generative, a pop-culture phoenix rising from the real and virtual ashes of the urban street.
AIKO (Nakagawa)’s debut solo exhibition, 'Shut Up & Look', took place at Brooklynite Gallery in 2008. Selected group exhibitions include: in 2008, 'Heart & Soul', Alphabeta, Queens, NY; 'Time Changes', Calm & Punk Gallery, Tokyo; 'PINK AIKO: Brick Ladies of NYC', Ad Hoc Art, Brooklyn; and in 2007, 'Heart Throb', Merry Karnowsky Gallery, Los Angeles; 'Bestial', Iguapop Gallery, Barcelona, and 'Eleven', Leonard Street Gallery, London.
She's showing from April 18-May 16.
Joshua Liner Gallery
548 West 28th Street
3rd Floor
New York, NY 10001
212.244.7415
http://joshualinergallery.com
Labels:
AD Hoc,
AIKO,
Andy Warhol,
Art,
BAST,
Brooklynite,
FAILE,
Graffiti,
Joshua Liner Gallery,
New York,
Poster,
Print,
Silk Screen,
Stencil,
Street Art,
Wheat Paste,
Wooster Collective,
You Are Beautiful
15 April 2009
RECOMMENDED WEBSITE: LOST AT E MINOR
http://www.lostateminor.com
Lost at E Minor: photography, art, fashion, design and fuck-ups. Tons of amazing images.
Lost at E Minor: photography, art, fashion, design and fuck-ups. Tons of amazing images.
Labels:
Andy Warhol,
Architecture,
Art,
Design,
Graffiti,
Lawrence Weiner,
Poster,
Print,
Stencil,
Street Art,
Typography,
Wooster Collective
ARTIST: LAWRENCE WEINER
Born in the Bronx, NY in 1942, Lawrence Weiner is a central figure of conceptual art, whose work often takes the form of typographic texts. He lives and works in New York and Amsterdam.
Labels:
Andy Warhol,
Art,
Graffiti,
Lawrence Weiner,
Poster,
Print,
Typography
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