To better understand the picture below (Clifton Suspension Bridge. Bristol, UK. Dec 17, 2007-June 21, 2008), the wavy light streaks seen are that of the sun...the lowest streak shows the suns path of the Winter Solstice, while the highest streak shows the suns path of the Summer Solstice.
Showing posts with label Holga. Show all posts
Showing posts with label Holga. Show all posts
08 June 2010
JUSTIN QUINNELL: 6 MONTHS OF PINHOLE PHOTOGRAHPY
Justin Quinnell must have the patience of a Saint. He assembled & installed a number of handmade pinhole cameras around Bristol, leaving them untouched for 6 months, yes, 6 months. His project was to record views of Bristol, UK, with the sun trailing across the sky during the Winter Solstice (December 22nd) thru the Summer Solstice (June 2oth).
To better understand the picture below (Clifton Suspension Bridge. Bristol, UK. Dec 17, 2007-June 21, 2008), the wavy light streaks seen are that of the sun...the lowest streak shows the suns path of the Winter Solstice, while the highest streak shows the suns path of the Summer Solstice.
To better understand the picture below (Clifton Suspension Bridge. Bristol, UK. Dec 17, 2007-June 21, 2008), the wavy light streaks seen are that of the sun...the lowest streak shows the suns path of the Winter Solstice, while the highest streak shows the suns path of the Summer Solstice.
Labels:
Holga,
Justin Quinnell,
Lomo,
Lomography,
Photography,
Pinhole Camera,
Polaroid
08 December 2009
SUPERHEADZ- HARINEZUMI DIGITAL 8mm CAMERA
Japan's Superheadz have recently made available the 1st digital camera that records images in an old school, silent, lo-fi, super 8mm camera stylee. These bad-boys have finally become available on this side of the ocean...and boy howdee, am I stoked!
silla-viento-peces from nick dangerfield on Vimeo.
Labels:
Holga,
Lomo,
Lomography,
Photography
01 June 2009
THE GREAT DAIN: ABOUT AS OLD SCHOOL GRAFFITI AS YOU CAN GET
Labels:
AD Hoc,
AIKO,
Andy Warhol,
Banksy,
BAST,
Brooklyn,
Brooklynite,
FAILE,
Graffiti,
Holga,
NYC,
Obey Giant,
Shepard Fairey,
Silk Screen,
Stencil,
Street Art,
Wheat Paste,
Wooster Collective
15 May 2009
WATER TOWERS: FROM THE CHICAGOLAND AREA
So, if you've ever read my blogs or viewed my Twitter, then you'd know that I have a bit of a have a thing for water towers...honestly don't have a clue why I'm so damned infatuated with them, but clearly, I am.
These days, water towers are like visual 'white-noise' to most of us. Many of us are surrounded by them just about every living, breathing moment of our lives. How many of you out there in blog-land can see one from the computer where you're reading this blog this very second? We see them, but we don't see them. You probably can't tell me if there's one on the building you are in right now, can you? They compete for rooftop spaces nationwide. They get crowded out by high tension power lines. Trees don't get pruned and push up against them. Stripmalls, discount cigarette stores & car washes are packed tightly around them. You might even have one right outside your apartment, work or school window. Sadly, I do not. Maybe when it comes time to pack up and move, my new digs will have a water tower, I'll definitely make sure one's on my checklist when that time comes.
They obviously serve a very useful purpose, don't they? They must, mustn't they? Why else would these rooftop structures be strewn all across the landscape, from coast to coast? The bigger question should be, why can't we decide on one common design style? They come in far too many shapes and sizes. Some are way too structurally & aesthetically complicated for their own good.
Do you have a favorite shape or construct? I mostly do, I dig on the classic oak timbered breed, but I'll drop what I'm doing to get a good gander at any of the older varieties made of steel...funnels on stilts or something that looks like an extra from that movie starring Tom 'Mission Impossible' Cruise 'War of the Worlds'...those damned ill mannered Martian 'Walkers'!
Drive through an older suburb near you. Did they see a building boom in the late 70's or early 80's (before the bubble popped), with their fauxe marble and stucco finishes, dark greens, brown and beige painted boxes trimmed in Roman and Spanish arches. I will put money down that you will be staring at an example that looks about as outdated as a Donald Trump building, with it's useless marble and brass bells and whistles.
Do yourself a favor, the next time you're jetting past a water tower, slow down and just look up at it...for a second or two. Don't over think it, just take a mental picture (or better yet, pull out your cell phone a snap one) and be on with your day. Is it a dilapidated oak structure? A bulbous steel phallus decked out in cell phone antennae? A monstrous 10-legged bell shaped beast?
All photos were taken with my cell phone, almost always from the drivers seat of a moving vehicle.
The soundtrack to this slideshow is by: Dengue Fever titled 'Seeing Hands/ Sleepwalking Version'. Grab it off of iTunes.
All photos were taken with my cell phone, almost always from the drivers seat of a moving vehicle.
The soundtrack to this slideshow is by: Dengue Fever titled 'Seeing Hands/ Sleepwalking Version'. Grab it off of iTunes.
These days, water towers are like visual 'white-noise' to most of us. Many of us are surrounded by them just about every living, breathing moment of our lives. How many of you out there in blog-land can see one from the computer where you're reading this blog this very second? We see them, but we don't see them. You probably can't tell me if there's one on the building you are in right now, can you? They compete for rooftop spaces nationwide. They get crowded out by high tension power lines. Trees don't get pruned and push up against them. Stripmalls, discount cigarette stores & car washes are packed tightly around them. You might even have one right outside your apartment, work or school window. Sadly, I do not. Maybe when it comes time to pack up and move, my new digs will have a water tower, I'll definitely make sure one's on my checklist when that time comes.
They obviously serve a very useful purpose, don't they? They must, mustn't they? Why else would these rooftop structures be strewn all across the landscape, from coast to coast? The bigger question should be, why can't we decide on one common design style? They come in far too many shapes and sizes. Some are way too structurally & aesthetically complicated for their own good.
Do you have a favorite shape or construct? I mostly do, I dig on the classic oak timbered breed, but I'll drop what I'm doing to get a good gander at any of the older varieties made of steel...funnels on stilts or something that looks like an extra from that movie starring Tom 'Mission Impossible' Cruise 'War of the Worlds'...those damned ill mannered Martian 'Walkers'!
Drive through an older suburb near you. Did they see a building boom in the late 70's or early 80's (before the bubble popped), with their fauxe marble and stucco finishes, dark greens, brown and beige painted boxes trimmed in Roman and Spanish arches. I will put money down that you will be staring at an example that looks about as outdated as a Donald Trump building, with it's useless marble and brass bells and whistles.
Do yourself a favor, the next time you're jetting past a water tower, slow down and just look up at it...for a second or two. Don't over think it, just take a mental picture (or better yet, pull out your cell phone a snap one) and be on with your day. Is it a dilapidated oak structure? A bulbous steel phallus decked out in cell phone antennae? A monstrous 10-legged bell shaped beast?
All photos were taken with my cell phone, almost always from the drivers seat of a moving vehicle.
The soundtrack to this slideshow is by: Dengue Fever titled 'Seeing Hands/ Sleepwalking Version'. Grab it off of iTunes.
All photos were taken with my cell phone, almost always from the drivers seat of a moving vehicle.
The soundtrack to this slideshow is by: Dengue Fever titled 'Seeing Hands/ Sleepwalking Version'. Grab it off of iTunes.
11 May 2009
CODY HUDSON aka STRUGGLE INC, CHICAGO

Cody Hudson better known to many as Struggle, Inc. has a new gig that opens on May 11th.
For Let’s Do Some Living After We Die, emergent artist Cody Hudson will create a new collage and sculpture installation. Hudson’s art work will explore feelings of euphoria and doom, community and solitude through the combination of found materials and media images, paintings, and drawing. The installation will change and grow in three intervals, May 11th, July 19th, and August 19th, during the six month exhibition period. Installed in the Foyer Project Space of the Art Center, this volatile mixture of optical information inspires visitors to consider the relationship between hopefulness and tragedy upon entering the building.
Hudson’s art work will explore feelings of euphoria and doom, community and solitude through the combination of found materials and media images, paintings, and drawing.
Cody Hudson is a Chicago-based artist and graphic designer who produces work under the name Struggle Inc. Known for the production of clean, multi-dimensional and geometric graphics, Hudson’s design aesthetic is part urban modernism, and part organic visual deconstruction. His drawings, installations, and paintings have been exhibited throughout the US, Europe and Japan including the Museum of Contemporary Art (Chicago), New Image Art (LA), Rocket Gallery (Tokyo), The Lazy Dog (Paris), & Bucket Rider Gallery (Chicago). In 2006 he was commissioned by the City of Chicago Public Art Program to create a permanent installation at the Sox/35th CTA station as part of the Arts in Transit Program. Hudson’s work has been featured in numerous magazines and publications including idN, Arkitip, Anthem and Juxtapoz. He is currently represented by Andrew Rafacz Gallery, Chicago.
This installation takes place in conjunction with the upcoming exhibition Signs of the Apocalypse/Rapture curated by Front Forty Press, offering a provocative look into the current trend of blurring the line between annihilation and bliss in contemporary art, thought, and sound, held in Galleries 1, 2, and 3 at the Art Center from July 19 until September 29, 2009.
Labels:
Art,
Chicago,
Design,
Documentary,
Graffiti,
Holga,
Lomo,
Lomography,
Museum,
Photography,
Polaroid Kidd,
Poster,
Print,
Silk Screen,
Stencil,
Street Art,
Typography,
Wheat Paste
30 April 2009
CATCHING OUT dvd TRAIN HOPPING HOBOs:
The phrase 'Catching Out' describes the act of hopping a freight train. In the documentary film "Catching Out," several contemporary hobos dissent against mainstream American consumer culture by traveling for free on freight trains. The film features a seasoned eco-activist named Lee, a young nomad named Jessica, and a tramp couple known as Switch and Baby Girl. In three interwoven stories, "Catching Out" follows these trainhoppers as they navigate between the constraints of society and the freedom of the road.
Newly released and available direct from MicroCinema or at your neighborhood Amazon.com
FOUNDED IN 1996, MICROCINEMA INTERNATIONAL is a leading international rights manager, exhibitor, and specialty markets distributor of the "moving image arts." Microcinema International specializes in the acquisition, exhibition, and distribution of independently produced works of an artistic and socially-relevant nature.
Their mission is to seek out, curate, exhibit, promote, and distribute compelling works to a broad audience via existing and emerging mediums. This mission is realized through exhibition-based events, web-based platforms, educational outreach, modern marketing techniques, and digital and physical distribution.
Labels:
Art,
ART-FILM,
Documentary,
Graffiti,
Hobo,
Holga,
Lomo,
Lomography,
MOVIES,
Photography,
Polaroid Kidd,
Street Art,
Train Hopping,
Water Towers
26 April 2009
SWOON, THE POLAROID KIDD & CHRIS STAIN
An exhibition at galerie lj beaubourg, Paris 2007.
Soundtrack provided by Fedayi Pacha.
Click Here to see The Polaroid Kidd at the Needles and Pens Gallery in 2007, San Francisco. http://www.needles-pens.com/polaroidkidd.html
Click Here for additional work by Swoon as featured in the NY Times.
If you're down with seeing more of Chris Stain's stencil graffiti, then Click Here.
Soundtrack provided by Fedayi Pacha.
Click Here to see The Polaroid Kidd at the Needles and Pens Gallery in 2007, San Francisco. http://www.needles-pens.com/polaroidkidd.html
Click Here for additional work by Swoon as featured in the NY Times.
If you're down with seeing more of Chris Stain's stencil graffiti, then Click Here.
Labels:
Andy Warhol,
Art,
ART-FILM,
FILM,
Graffiti,
Holga,
Lomo,
Lomography,
Photography,
Print,
Silk Screen,
Stencil,
Street Art,
Typography,
Wheat Paste
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