JIM JARMUSCH: THE LIMITS OF CONTROL

The Limits of Control is the new movie from filmmaker Jim Jarmusch (Broken Flowers, Down by Law). The film is set in the striking and varied landscapes of contemporary Spain (both urban and otherwise). The location shoot there united the writer/director with acclaimed cinematographer Christopher Doyle (In the Mood for Love, Paranoid Park).

Isaach De Bankolé stars in the lead role for Mr. Jarmusch; this marks the duo’s fourth collaboration over nearly two decades, following Night on Earth, Ghost Dog: The Way of the Samurai, and Coffee and Cigarettes. The Limits of Control also features several other actors with whom Mr. Jarmusch has previously worked, including Alex Descas, John Hurt, Youki Kudoh, Bill Murray, and Tilda Swinton; and actors new to his films, including Hiam Abbass, Gael García Bernal, Paz De La Huerta, Jean-François Stévenin, and Luis Tosar.

The Limits of Control is the story of a mysterious loner (played by Mr. De Bankolé), a stranger, whose activities remain meticulously outside the law. He is in the process of completing a job, yet he trusts no one, and his objectives are not initially divulged.

His journey, paradoxically both intently focused and dreamlike, takes him not only across Spain but also through his own consciousness.

A Focus Features presentation in association with Entertainment Farm of a PointBlank production of a Film by Jim Jarmusch. The Limits of Control. Isaach De Bankolé, Alex Descas, Jean-François Stévenin, Luis Tosar, Paz De La Huerta, Tilda Swinton, Youki Kudoh, John Hurt, Gael García Bernal, Hiam Abbass, Bill Murray. Casting, Ellen Lewis. Costume Designer, Bina Daigeler. Sound Designer, Robert Hein. With Music by Boris. Production Designer, Eugenio Caballero. Editor, Jay Rabinowitz, A.C.E. Director of Photography, Christopher Doyle, H.K.S.C. Executive Producer, Jon Kilik. Produced by Stacey Smith, Gretchen McGowan. Written and Directed by Jim Jarmusch. A Focus Features Release.

LET THE RIGHT ONE IN: a Swedish Vampire flick

A well-crafted horror film in the tradition of Guillermo del Toro's THE DEVIL'S BACKBONE, Swedish import LET THE RIGHT ONE IN ably blends genre chills with genuine feeling. Set in the Stockholm suburb of Blackeberg in 1982. Oskar (K�re Hedebrant) is a 12-year-old outcast who is frequently picked on by his classmates. He dreams of getting his revenge, but he never stands up to the boys. With the arrival of his new next-door neighbor, 12-year-old Eli (Lina Leandersson), Oskar may finally have found a friend, ally, and first love. But Eli is no ordinary girl: she must keep her pale skin out of the sunlight, she can perform inhuman physical feats, and she has thirst for blood. The bodies begin to pile up, but Oskar can't stay away from the girl who has finally given him courage. Based on the novel by John Ajvide Linqvist (who also wrote the script), LET THE RIGHT ONE IN is the best kind of horror film: one that transcends the tropes of the genre to become something new. This is director Tomas Alfredson's first foray into horror, and he doesn't hesitate to include bits of vampire mythology. But his background making comedies and dramas gives the film a surprising depth; the relationship between Oskar and Eli is tentative and sweet, even though their interactions may be surrounded by blood and violence. Composer Johan Soderqvist and the sound department create a fascinating palette of music and sounds that add to the film's perfectly chilly mood, and setting the film in a snowy Swedish suburb gives director of photography Hoyte Van Hoytema a starkly beautiful environment for shooting. Though LET THE RIGHT ONE IN is ostensibly about a pair of children, this is a horror film for adults. There are plenty of scares, but it remains moving and intelligent, a rare feat for the genre.

DARK DAYS: NY SUBWAY MOLE PEOPLE

Deeply moving and surprisingly entertaining, Dark Days is an award-winning documentary by Marc Singer, who abandoned his life on the outside to live in the tunnels beneath New York City for two years. It is an eye-opening experience that shatters ... Full Descriptionthe myths of homelessness by revealing a thriving underground community and capturing their resilience and strength as they struggle to survive.

DARK DAYS, a groundbreaking documentary from British director Marc Singer with a moving soundtrack from DJ Shadow, shows a way of life that is unimaginable to most people. The film focuses on a group of homeless people that live deep underground in an abandoned New York City railroad tunnel. During the daytime they scavenge for food on the streets of New York. At night, they retreat to the tunnel where they have built homes out of scrap metal, plastic, and plywood. They have electricity, furniture, and working kitchens, not to mention community, comradery, and the support of each other. Some of them have lived in the tunnel for 25 years. Shot in vivid black and white, capturing both the grit (chicken wire, concrete walls, all precisely detailed) and the honesty (the residents have hit rock bottom and admit it) of the tunnel, Singer's film consists of candid conversations with tunnel residents, who are intelligent, funny, optimistic, and above all, human. One man confesses that he once had a wife and a child, and that he lost both to his drug addiction (crack cocaine), while one teenage boy living in the tunnel explains that he was abused by his family in Florida and simply ran away, finding life in the tunnel more redeeming. In the film's emotional, understated conclusion, Singer turns to New York City's Coalition for the Homeless for help.

Theatrical release: August 25, 2000 Filmed on location in a tunnel underneath Penn Station in New York City. Singer, who was working a regular day job in the fashion industry and had no prior film making experience, became fascinated by the people living in the tunnel and decide to move underground himself. After two years, he convinced his friends--the tunnel residents--to help him make the film, which was done entirely with borrowed equipment and donated film. Because of the extreme conditions of the tunnel--pitch blackness and rat infestation, primarily--director Marc Singer had the tunnel's residents serve as the crew for the making of the film, as he decided they were most familiar with the tunnel's terrain. When Amtrak tried to evict the residents of the tunnel, it was Singer who intervened, going to the Coalition for the Homeless for help. They cut a deal with the federal government and got funding to relocate the tunnel's residents. Each of them was given an apartment and a job in a work program. DARK DAYS was named Best Documentary of 2000 by the Village Voice and the Los Angeles Film Critics Association.

MOBY 'Shot In The Back Of The Head' Directed by David Lynch

Moby's animated video for the single 'shot in the back of the head'. Directed by David Lynch.
This single has the definite taste of a classic David Lynch soundtrack. One where the star and co-star are driving at high rates of speed, through some California desert, well after midnight, with no lights except of the headlights of a late model American-made gas guzzler. The chain-smoking stars of this film also sit through longs uncomfortable bouts of silence as the cameraman with his hand-held, jumps from 'in your face' close-up to 'in your face' close-up.
This video is best if set in 'loop' mode while the track spins on and on and on. Don't get me wrong, I love-love this antiquated track. It stirs up emotions I experienced when first I was exposed to David Lynch's art. He has made many, many very beautiful films over the decades and I anxiously await the insertion of this track into one of his future films.
Some films That this tastes of are "Nadja", "Blue Velvet" and "Lost Highway". I'm quite sure you can add several other titles of your own to the mix.

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