31 Days Of Halloween [Day 30]

'White Zombie' starring Bela Lugosi

31 days Of Halloween [Day 29]

The Werewolf vs The Vampire Woman [1971]

31 Days Of Halloween [Day 20]

C.H.U.D. [Cannibalistic Humanoid Underground Dweller]

31 Days Of Halloween [Day 16]

Zombie 2

31 Days Of Halloween [Day 8]

'The Land Unknown'

31 Days Of Halloween [Day 6]

31 Days of Halloween [Day 6]
'Anti Christ' by acclaimed Danish Director Lars Von Trier. Starring Charlotte Gainsbourg & Willem Dafoe. Anti Christ has got to be one of the single most disturbing flicks I've seen in years! Warning...this is not a chick-flick, a date night movie or something that should be viewed by wussies! Straight up coo-coo AND I recommend Netflix'ing it...it'll 'f' you up! Take your meds. Get your head straight. Turn off all of the lights. Press play!

31 Days Of Halloween [Day 2]

31 days Of Halloween [Day 2] 'Blacula' [1972]...umm, I'm Blacula, Damnit! Make mine a Bloody Mary'

Suspiria [Trailer 1977]

UNTIL THE LIGHT TAKES US: A NORWEGIAN BLACK METAL DOCUMENTARY

2008, Aaron Aites and Audrey Ewell, USA, 93 min.
http://www.blackmetalmovie.com

“As richly compelling and artfully shot as rock docs get.”--Aaron Hillis, LA Weekly

This riveting documentary is not a music movie but a clear-sighted investigation into the murky subculture of Norwegian black metal music, whose history, though distorted and sensationalized by the press, is still pretty sensational even in the undistorted version, strewn with the ashes of torched churches and the blood of murder and suicide victims. As the filmmakers note, black metal “blurs the line between music, art, activism and terror...there’s really no other art or music or ideological movement like it.” Focusing on three figures--self-destructive pioneer Dead (of the group Mayhem), convicted murderer Varg Vikernes (of Burzum), and the relatively moderate Gylve Nagell (of Darkthrone)--UNTIL THE LIGHT draws a deeply, disturbingly ambivalent portrait of a contradictory movement that is too complex either to endorse or to dismiss. In English and Norwegian with English subtitles. DigiBeta video. (MR)

Additional info can be found at:
http://www.myspace.com/blackmetalmovie and http://www.blackmetalmovie.com

LET THE RIGHT ONE IN: a Swedish Vampire flick

A well-crafted horror film in the tradition of Guillermo del Toro's THE DEVIL'S BACKBONE, Swedish import LET THE RIGHT ONE IN ably blends genre chills with genuine feeling. Set in the Stockholm suburb of Blackeberg in 1982. Oskar (K�re Hedebrant) is a 12-year-old outcast who is frequently picked on by his classmates. He dreams of getting his revenge, but he never stands up to the boys. With the arrival of his new next-door neighbor, 12-year-old Eli (Lina Leandersson), Oskar may finally have found a friend, ally, and first love. But Eli is no ordinary girl: she must keep her pale skin out of the sunlight, she can perform inhuman physical feats, and she has thirst for blood. The bodies begin to pile up, but Oskar can't stay away from the girl who has finally given him courage. Based on the novel by John Ajvide Linqvist (who also wrote the script), LET THE RIGHT ONE IN is the best kind of horror film: one that transcends the tropes of the genre to become something new. This is director Tomas Alfredson's first foray into horror, and he doesn't hesitate to include bits of vampire mythology. But his background making comedies and dramas gives the film a surprising depth; the relationship between Oskar and Eli is tentative and sweet, even though their interactions may be surrounded by blood and violence. Composer Johan Soderqvist and the sound department create a fascinating palette of music and sounds that add to the film's perfectly chilly mood, and setting the film in a snowy Swedish suburb gives director of photography Hoyte Van Hoytema a starkly beautiful environment for shooting. Though LET THE RIGHT ONE IN is ostensibly about a pair of children, this is a horror film for adults. There are plenty of scares, but it remains moving and intelligent, a rare feat for the genre.